Out of Eden

By Abigail Ottley


ISBN: 978-1913122713

Out of Eden, Abigail's debut collection published in May 2025, is an energising, inspiring, hard hitting collection of over 100 pages of award winning poems which tell remarkable stories and parables of women's endurance which celebrate their fierce strength and resistance.


In this collection Abigail also captures the minutiae of working class life, the harsh lives of the marginalised and shifts in mother-daughter relations. A Pushcart and Best of the Net nominee, Abigail came second in the Plaza Prose poetry competition and has won the Wildfire 150 flash twice.



"Every page here reminds me of Muriel Rukeyser’s lines, that ‘if one woman told the truth about her life… The world would split open.’ Here, indeed, is rupture and fracturing, as we feel the visceral reality of women’s bodies being played on by misogyny through the generations. These are poems of witnessing, chronicle and scrutiny, the many wonderful prose poems, especially, telling remarkable stories and parables of women’s endurance, celebrating their fierce strength, wit and resistance, their ‘whetted tongue’, ready ‘to pick a bone with the moon’. The minutiae of working class life, the harsh lives of the marginalised, shifts in mother-daughter relations, are all brilliantly evoked. What’s astonishing, though, is how energising and inspiring this hard-hitting collection becomes, ultimately empowering in its flinty, uncompromising portrait of female survival, resilience and love." - Dr Rosie Jackson


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"When you discover the world is not the blank page, or fresh peach, your early childhood may have once promised. When the choice laid before you, the choice you never asked for, is seeming ignorance in Eden, therefore retaining your position within the family construct, or telling, in unforgivable exile. This collection explores the mother/daughter relationship and the impact of the survivor-daughter’s testimony upon it, locating the self in connection to an inherited girlhood and womanhood, a genetic awareness. It explores the nature of knowing, oppression, denial and injustice. The poems are handled with intelligence and craftsmanship, with particular attention to form. Each word treads, makes progress. This is a collection of poetry which seeks to answer the most inherent, and applicable, of questions: Who am I? Who are we? Who could I have been? Who, or what, can I become? This is a collection of poetry simply seeking permission to be itself. To speak. And be accepted." - Holly Bars


Extracts from the book:


WIDOWS WALK


Evenings she puts on her second-best hat 

skewered by a tortoise shell pin, 

buttons up her heart in her mohair coats and

goes out to pick a bone with the moon.


On the red-leaded step she scans the stars

imagines them sparks from his hammer. 

Her heart is fierce and keen as his chisel,

weighs like a bag of four inch nails. 


In her pocket she’s packing a fistful of humbugs

matches, twenty Players Weights. 

She hears the black kettle hissing on the stove on stand-by,

the relentless ticking of the clock. 


On her tongue, a retort fit to slice a man open.

In her head, a dozen what ifs.


ON THE NECROMANCY OF DAUGHTERS


they exist far away with 

nomads and thieves 

under inky satin skies

hand-stitched with diamonds


some nights they go flying

shrieking like Harpies

fall to feasting on whatever

they can find


they know how to be true

to their nature and purposes

they must be willing 

to upset the table


their impossible hunger

drives them to it

they are prompted 

by the tides in their blood


their sadnesses are fed

 by the dark of the moon

and their tears are the spring- 

source of their cunning


if you would be loved

be a golden boy

be a sun-god


daughters are dark.


OUT OF EDEN


Summers, I played in the permitted outside,

unforgiving concrete

bounded to the east by our kitchen steps

to the west by the coal house door.


I was mindful always of the slender-leaved peach 

where once I’d gathered flowers for a love-gift.

A fruitless offering. My stern-faced mother

applied patience, artfulness, glue.


All is well. Daddy never knew how my innocence 

robbed him of his harvest. Though he often remarked 

on the absence of peaches

Mummy said the tree was too small. 


Not to tell the truth, she said, sometimes 

wasn’t a lie.


COLD WATER FISH TO THE ANGLER


See my scales

  the colours of a slow-moving river 

    my crooked pout still

      rosy.

      I am mouth-hooked & death-barbed

    hung out to dry

  pierced by your finely wrought 

lies.

  All your long, long life you have danced me 

    in your shadow

      played me with your stout pole 

        and line.

As you wade in deeper I go 

      flip-flop gasping. There is

         new strength and purpose in 

             your death-grip.

From net to bank, I am landed 

  with a shudder.

    Fireflies are extinguished 

        in my eyes.



NANA TILLY AND TALLYMAN


When Nana Tilly went into battle she had a cry like one of the Valkyries, though she carried no shield except her indignation and wielded no weapon but her tongue. That tongue was quick and nimble as a dancing goat and whetted and weighty as a battleaxe. Like a featherweight champion, she’d dance around her challenger before delivering the coup de grâce. More often than not, her opponent was a man, someone who’d disrespected her. Usually, a man who didn’t know her well enough not to try to tell her what to think and say. Grandad, she said, learned his lesson soon enough. He knew better than to stand up against her. These other men, though, were no match for her. They didn’t know when they were beat. Political candidates of all hues and persuasions, Jehovah’s Witnesses, Mormons: they all believed they could win her over by the power of their Mighty Word. I had a ring-side seat while she dispatched every one, like a terrier bred to be a ratter: encyclopaedia salesman, men hawking insurance, the tallyman, men from the council, sometimes doctors, even the odd vicar; all of them bowed to her will. Nana Tilly had the power of a small typhoon. She was a force of nature. From her, I learned to think on my feet, not be a straw in the wind.



AGED 29 SHE BUYS HER FIRST RUNNING SHOES


and goes running in circles to be safe. Her preferred route takes her up Blue Anchor Lane, past the white house that used to be a tavern, along the Muckingford Road towards Chadwell St Mary as far as Turnpike Lane. Then left again to the top of Gunn Hill, and left past the playing field and post box, into the village with its three-cornered green. Sometimes she calls in at the pub. All that first summer, she runs every day, building up to two or three circuits. She runs before breakfast or late in the evening to minimise the risk of being seen. Her husband says nothing, neither praises nor mocks her, but she can tell from his eyes he finds her ludicrous. She is sad about this but she doesn’t let it stop her. Now she is running for fun. By September, she’s grown bolder, faster, fitter but her husband still calls her Dumpling. She buys new shoes from a proper sports shop and lies about how much they cost. She expands her route so that she runs across the marshes where the road unwinds towards Tilbury, past the travellers’ ponies and a few sad sheep, across the saltings where the fog rolls in quickly, swallowing the skyline, all trace of Shell Haven, the sea-wall, the station, the road. She thinks of fog as the river breathing out. Her husband says she’s read too many stories. He says she’s got her head in the clouds. Some days maybe that’s true. Pink-cheeked and panting, she pushes herself on, past the ramshackle walls of The Old World’s End, which is a pub where an old man once abused her. She gives his ghost the finger. Ghosts like his are the reason why she even needs to run. Breathing hard, she turns, where the road peters out, becoming a track of black cinders, on to Tilbury Fort, which rears up like a giant, blustering and red in the face. The fort is neglected, grim and forbidding, not a place yet for picnics or outings. She likes it that its long grass is weedy with dandelions, unruly with brambles and stones. She likes it that here she can lean against the sea-wall and stare across the still, grey water. There’s a tug or two sometimes, once an old barge, and the ferry points its nose towards Gravesend. And, before she turns back, the thought occurs that, after all, escape might be possible. She will run in circles, keep her wise counsel. One day soon, seize her chance. 


ABOUT ABIGAIL

Contact:

E: ottleyabigail47@gmail.com

Facebook Abigail Elizabeth Ottley Poetry and Short Fiction: @abigailelizabethottley

Instagram: @abigail_elizabeth_ottley/


To order a copy, go to: https://hermitagepress.co.uk/products/out-of-eden

To order a dedicated copy directly from the author, email Abigail at: abigailottleyoutofeden@gmail.com