A Spot in Time
By Tim Boardman

Life is made up of moments—some small, some vast—each leaving a mark on our memory and our heart. A Spot in Time gathers these moments, places, and feelings: the quiet grief of caregiving, the beauty of the natural world, and the shifting rhythms of love and time. These poems move between personal experience and wider reflections, exploring the ways we hold on, let go, and try to find meaning amid change. Here, time bends—sometimes it freezes, sometimes it flows like the tide—while memory and presence intertwine.
This collection is an invitation to witness those fragments of life that often go unnoticed, to feel the weight of silence and the warmth of connection, and to walk alongside the poet as he navigates the complex landscape of care, nature, and resilience.
Welcome to A Spot in Time. May these poems offer you space to pause, reflect, and find your own moments of grace.
Extracts from the book:
Pencils
My redundant pencils,
silent,
as though waiting for a summons
I have not given.
Dust softens their yellow skin
eraser ends stiff with age.
The desk holds them still—
furniture older than my adulthood,
its scars of childhood gouges
and the dull brass handles
that once shone in afternoon sun.
I think of the child who sat here,
leaning over paper,
discovering that graphite could be gentle,
could be fierce,
that 2B was best for shading shadows
where the light slipped away.
Now I take photographs,
and write
fast, glowing on a phone,
but the pencils keep their silence,
their patience,
their promise of another kind of looking,
slower,
less certain,
but closer to the truth of touch.
Will I return?
Or are they relics,
like the pastel boxes bound by rubber,
objects of faith
in an earlier self?
The desk,
faded,
remembers either way.
~
Monday
It’s Monday morning
and I’m driving to work,
mind somewhere else.
The windscreen’s sticky—
sap from the trees above the
car at home—
I should clean it
but it just smears,
and I haven’t slept.
It’s 7:10.
I can still see
the ghost of my dad
walking
at the bottom
of Breary Lane.
Old song on the radio—
I know it,
it seeps into the commute
Dad is
On the way
to buy a Yorkshire Post,
cloth cap
slightly askew.
Always that cap.
Old man, take a look at my life
I’m a lot like you were.
I catch him
in the wing mirror—
shirt and tie,
that familiar waddle.
Strange—
I never wear a tie.
Never have.
Not out of principle,
just sheer bloody
mindlessness.
I need someone to love me
the whole day through
Head down,
determined
to beat the newsagent,
never had it delivered,
not until the end of Bramhope.
He’d try to slip away
and wander,
always trying to get back
to a house
from years ago—
some version of home.
I’ve been first and last
Look at how the time goes past
And I drive on,
leaving him
in the rearview blur.
~
August Ride
A pigeon
beside the salt pile —
a mountainscape in miniature,
untouched for years,
still waiting for frost.
But it is August,
warm at seven,
the air fresh and clear.
An owl hoots in a hidden tree
crows gather, a black argument
in the nearby copse
The salt heaps
seem to ask for climbers,
a team of tiny mountaineers
roping upward through
grass already yellowing,
earth thirsty for rain.
A tractor grumbles past.
The hooded driver,
seems bound for harvest
or something darker
On his back, a scythe:
not the farmer’s tool,
but ominous presence of time,
the sickle of endings,
glinting even in this early sun.
The fields bow before him,
crows scatter,
and I pedal on,
thinking I might climb
the white frost salt mountains,
to look down on this season
and remember the cold.
But the leaves are already
turning,
fruit heavy on the branches,
acorns scatter like coins,
and time feels broken,
running ahead of itself.
Everything is early.
The hooded man rides on.
Winter waits,
dark and certain.
What we need now
are tears of rain —
to soften the earth,
to mourn the hot summer,
to slow this hurry of the
seasons
~
The Older I Get
The older I get,
the deeper the love I need—
not louder,
not wilder,
but steadier,
more certain,
like the ground beneath my feet,
or silence after a long day.
When health warnings come—
not always loudly,
but sometimes in a whisper,
a shadow at my heels—
I don’t long for noise,
but for hands that know how to hold,
for eyes that listen
when no words are said.
At rest,
I don’t crave fireworks or applause,
only the quiet breathing beside me,
a presence that asks nothing,
yet offers everything.
But mostly,
it is this:
arriving home,
placing my keys on the table,
feeling the wear in my thoughts,
and knowing— that love is here.
Not the love of youth,
all heat and hunger,
but a quieter flame—
tending the stove in winter
steeping mint tea,
filling the silence.
The older I get,
the deeper the love I need.
~
Angel in Morrisons
I saw
an angel
in Morrisons.
She was at
the checkout,
buying her
weekly shop.
Her golden wings
glittered in the light,
and I was
awestruck—
stopped in my tracks—
while people
pushed past.
No one noticed.
But I was transfixed.
I wasn’t even there
to buy.
I needed the toilet
before a meeting,
and didn’t want
to walk in
just asking
for the loo.
So I was here
by accident—
just a passing
moment
that shouldn’t
have happened.
Like when I forgot
my jacket this morning
and had to go back
home.
Rain was imminent.
I thought of that—
how if I hadn’t
gone back,
I would have missed
the angel
and her shopping.
~
Inheritance
I’m rubbing
my hands again —
some insect’s bitten me,
I think.
It itches.
It was a Dad thing,
the way he rubbed his hands —
absently, endlessly —
a flicker of routine
in a world unfastening.
I thought it was
repetitive behaviour
or just
old age.
It’s strangely
soothing
and disturbing.
Now I feel it
under my own skin:
that ritual,
that need
to soothe
something unseen.
I look down —
liver spots bloom
like small bruises.
My hands
have become his.
~


ABOUT TIM
Tim Boardman is a poet based in West Yorkshire whose work explores the quiet beauty of everyday life, the shifting landscapes of the North, and the complexities of human connection. Drawing inspiration from nature, memory, and local heritage, his poems are both grounded and lyrical, often balancing emotional honesty with wry observation. His writing has been featured in local readings, community arts projects, and online literary platforms. Tim’s commitment to accessible, resonant poetry has made him a distinctive voice within the regional arts scene.
Contact:
FB: http://facebook.com/groups/588235645977509
Instagram: @timboardmanpoet
Order a copy:
To order a copy, contact Tim directly by email at:
allsuchthings@icloud.com
Price: £5 (GBP) plus postage.

